About Joseon Modern Designs
Hi! I’m Joy, and I run Joseon Modern Designs.
I wanted to create a pattern company that made plus-size friendly, multi-sized historical, vintage, and fantasy patterns accessible for the modern sewer. Improved fit and clear, modernized instructions are some of my goals without sacrificing vintage style lines!
Vintage Look, Modern Fit
Many of my patterns are closely inspired by true vintage and antique garments and often incorporate vintage construction techniques without compromising on modern fit. As our bodies are all unique, most people do need to make some adjustments to a pattern for best fit. An illustrated fitting guide containing some common fit adjustments is also included with most E-Patterns.
While I do try to stay close to the original vintage style lines, most of my patterns are drafted to be worn on a modern figure without the need for vintage shapewear. (If you do prefer to wear a girdle or bullet bra, instructions are included in JMD’s dress pattern fitting guides on how to move the bust apex and darts).
About My Pattern Production:
I draft, true, and grade my patterns using a professional fashion-specific CAD software for accuracy and use a separate sloper for each size range for improved fit. Depending on the pattern, draping may be used alongside flat patternmaking techniques during pattern development. Trueing seams and assessing fit occurs throughout the pattern drafting and testing process. (Patterns that are also tested through a pattern testing call will be noted).
JMD patterns are graded (sized up and down only within each range) using grade rules derived from industry best-practices, which means that proportions are kept in mind when increasing or decreasing size. Fit, comfort, and a flattering final product are all considerations taken seriously throughout the entire process.
JMD patterns are not graded reproductions of another company’s vintage sewing patterns
JMD patterns are not made by taking tracings of or cutting apart vintage or antique clothing- I draft and apply inspiration style lines to my own separate blocks
JMD patterns are not graded up from a size 0 to a 32
My interest in fashion history, historical costuming, and sewing began over 12 years ago when I made an 1860s ballgown (including a hoopskirt, chemise, and corset!) while I was in high school. Although I’ve made several projects since then, there is always something new to learn about sewing and I enjoy growing and developing my skills! Unless otherwise noted, I sew my E-Pattern cover samples myself.
I put a significant amount of time, work, research, and study into my patternmaking and development and in developing both of my size ranges. I did not pursue a fashion degree; however, I do utilize several fashion industry textbooks and resources (among others) and constantly work towards improving my craft and ensuring quality through frequent research and testing. My resource list can be found further below.
Plus-Size Patternmaking
It is my firm belief that plus-size patternmaking is not inherently more difficult than what is traditionally referred to as ‘straight-size’ patternmaking, which is often considered to be an XS-XL. However, it is true that there are less resources available on plus-size patternmaking, which can make it challenging. After a lot of research, study, and testing for both of my size-ranges, some steps that JMD has taken to be more size-inclusive includes:
Working from a plus-size friendly block (base pattern) for sizes 14-32, based on my custom-sewn dress form, Guinevere
Including Cup Sizes A-G/H
When possible, including long side or front closures
Offering two bicep options
Including a Fitting Guide with each E-Pattern featuring some common fit adjustments
Incorporating pattern testing calls on a regular basis
With that said, I am always open to feedback for both size-ranges. I may not always be able to incorporate all feedback, but I do genuinely want to be as size-inclusive as possible, which to me means incorporating fit, comfort, and interesting designs equally across both size-ranges.
Please feel free to contact me at jmd@joseonmoderndesigns.com if you have any suggestions, feedback, or concerns
Why Joseon:
Joseon was Korea’s last ruling dynasty (1392-1910) and reflects a special part of my heritage. I’m very passionate about hanbok, traditional Korean fashion, and hope to make more sewing patterns accessible to an English-speaking audience in the near future. JMD’s difficulty rating scale is based off of a Joseon bat, and you’ll find the JMD sewing cranes in the instruction guide when you finish making the garment!
Resources List
Please note: this is not an exhaustive list. I am not affiliated with any of the resources listed below unless otherwise noted, and their views do not represent JMD; however, I would recommend them for research and study.
Patternmaking and Grading
Patternmaking for Fashion Design by Helen Joseph-Armstrong
I use the 5th edition (2009). This is a widely regarded and used patternmaking textbook. I don’t believe many of the formulas translate well to plus-sizes but the book is foundational in understanding the principles of flat patternmaking.
Professional Patternmaking for Designers: Women’s Wear and Men’s Casual Wear by Jack Handford, 2003
I’ve found that this book complements Helen Joseph Armstrong’s book well and includes some additional information.
Professional Pattern Grading for Women’s, Men’s, and Children’s Apparel by Jack Handford, 2003
I believe that this is a great starting point for developing grade rules
(Video Series) Introduction to Apparel Grading: Career Training for the Fashion Industry by Joe Ganete, 1991
This video series was originally developed as fashion school curriculum in the 90s. Some of it is dated, and I have not watched the entire series. However, I did find the portions I watched to be incredibly useful in gaining a better understanding of apparel grading and grade rules.
Software
I use TUKAcad for my digital pattern drafting, and my subscription also includes TUKAmark, which I use to help create accurate markers and determine yardage requirements
There are several pricing options available, and I would strongly recommend taking some of the classes on the software that TUKA offers. As TUKAcad is intended for fashion industry use, it’s very easy to make accurate adjustments, adjust grading, true seams and notches, or draft digitally. This is especially important during pattern development!
Please note: My subscription does not draft my patterns for me or provide a set of grade rules for me to use. I draft and grade my patterns myself.
I use Adobe Creative Cloud for graphic design. Once I’m happy with my drafted pattern in TUKAcad, I transfer it to Adobe Illustrator where I add size lines, layers, and the other bells and whistles that make an E-Pattern printer-friendly. I also use other Adobe applications including InDesign, Acrobat Reader, and Lightroom.
Graphic Design
Kiki Callaghan Studio does the majority of the graphic and web design for JMD’s website, icons, and logos.
Kiki is an illustrator and animator as well as a long-time family friend. Her work is fantastic, as is her portfolio!
I use Adobe Creative Cloud (including Illustrator and InDesign) for other graphic design elements such as line drawings, instruction illustrations, and instruction booklets.
Vintage Patternmaking and Sewing Resources
Dress Design: Draping and Flat Pattern Making by Marion S. Hillhouse and Evelyn A. Mansfield, 1948
This book is filled with diagrams explaining how to draft some very complex, challenging, and fantastic vintage pieces from one of the golden ages of fashion.
Clothing Construction by Evelyn A. Mansfield, 1953
This book goes beyond introductory clothing construction to primarily explore many complex, advanced, and now-forgotten techniques from the era.
Pattern Drafting and Grading by Michael Rohr, 1948 and 1961
I primarily use this book for its pattern drafting diagrams, which are a great vintage resource. The grading portion is only a few pages and I don’t find it to be as applicable.
Vintage and Antique Clothing
One of the best ways to study vintage clothing construction is to study extant vintage and antique clothing! It’s important to keep in mind; however, that not all techniques may be standard or representative of a base pattern. For example, a lot of vintage clothing was custom made for the wearer in mind. Magpie’s vintage inspiration dress has wide shoulders and an elongated back skirt, while the vintage inspiration dress for the Night Heron is long-waisted. Time, wear, and damage may also alter the original shape.
Custom-Sewn Dress Form Patterns
Bootstrap Fashion offers customizable dress form sewing patterns. I made my Guinevere and Marian forms from these patterns (and use them!) for the purposes of draping and assessing fit.
Fashion History
LACMA’s Costume and Textiles Collection is a phenomenal resource.
The Metropolitan Museum of Art’s Costume Institute Collection is also an excellent resource
The V&A Fashion collection and Costume collection are both incredible resources
I enjoy referring to all three Fashion Sourcebooks by Charlotte Fiell: 1920s Fashion Sourcebook, 1930s Fashion Sourcebook, 1940s Fashion Sourcebook, 2021
These are filled with fashion illustrations and are very helpful with understanding some of the nuances in fashion for each decade